NOT FOR HIRE
4.5NOT FOR HIRE – Employed by a Bel-Air real-estate mogul to track down a former business partner who swindled the company out of ten-million dollars, Bob Klayman heads off to Arizona in search of his mark. He’s soon run out of town, pursued by a double-crossing lawyer and the Arizona State Police. Klayman seeks refuge with a militia encampment holed up in the mountains outside Tucson, who’s leader, an infamous ex-Marine Colonel, is leading a violent secessionist movement. To save himself, Klayman works to further the Colonel’s cause while secretly engaged by the CIA and still under contract to finish the mogul’s hit job.
What People Say
Working in a well-worn genre has its pluses and minuses. One plus is a loyal audience for stories told a certain way. One minus is all those stories told the same way. An author has to be good to hold his own. Prager is and does. In his novel, a shopworn protagonist gets himself involved in dirty business for the typical reason: money. Surprisingly, the down-and-out protagonist is not only cynical when he wants to be and sinister when he needs to be, but he’s also self-aware, insightful, and unashamed to admit that he’s scared when he should be.
The requisitely intricate plot deals with revenge, murder for hire, blackmail, terrorism, insurrection, and more. However, as engaging as the plot is, it takes the second seat to the cadre of interesting characters on display. There’s the born- too-late hippie who runs a bed and breakfast but succumbs to love over lust at her peril. There’s the cigar-smoking colonel whose smoke rings frame visions of political conquest. There are meth-freaks, embezzlers, thugs both obvious and disguised, and, of course, a bevy of beautiful babes. But outshining them all is Klayman, the hard-drinking, wisecracking, Jewish gem of an antihero.
Author Prager imbues Klayman with pitch-perfect sarcasm. His first-person narrative is laced with metaphors and similes that tumble as melodiously as a Lionel Hampton solo. He dispatches bad guys and beds broads with the best of classic gumshoes of yore, yet still manages to avoid outright imitation. Witty, ironic, smart, and sassy, this is a crime thriller from an author that knows how to make guilty pleasures truly pleasurable.
RECOMMENDED by the US Review